White Still Life is a photographic series that examines the status of everyday objects within a space that is deliberately neutral and stripped of context — a white, almost laboratory-like environment. Here, whiteness does not function as a decorative or aesthetic device, but as a condition of visibility: a surface against which traces of use, accident, and disintegration become legible.
The objects depicted — food remnants, packaging, fragments of tableware, stains and shards — are detached from their utilitarian narratives. Removed from the continuity of everyday gestures, they are suspended in a transitional state: between consumption and waste, function and uselessness. In this sense, the series refers to the tradition of still life while simultaneously dismantling it. Instead of compositional harmony or symbolic order, it foregrounds dispersion, residue, and the aftermath of action.
