Purposeful play of meanings, emerging between the image, which is given, and the awareness that reality is not behind it, but at most its fragmented pieces, is the fundamental intention of the cycle. It is in the play, or in the movement, that a sequence of meanings is born, transitioning from the sense of the scene’s reality to the complete negation of that reality. Despite being entirely manipulated, these photographs, since they are constructed from real registrations, can reflect one of the possible versions of reality. They are, in a sense, suspended in the space of potentiality and combinatorics.
